Eastern white cedars line the exposed ridge, layers of uninterrupted blue hold the sky open; rich, summer air holds the day close. We are following the bear claw marks that scar and slice giant limestone boulders cluttering the landscape ten arm spans from shore. Our feet crunch on top of trillions of fossils buried and pressed; bone turned to stone. We scurry on all fours, slip on wet slabs, crack loose sediment, and crawl through caves. We are children again; his boy is shining. Look! he says, smiling over his shoulder, index finger stretched, There’s more over there! One, two, three, four: bear claw marks separating efflorescence to our left, and again, higher up, on our right. We pass a decaying wing of a pale bird, some red remains where scapula ends. There are more up here! It’s amazing, he runs his left hand over jagged cuts, you can see where it slipped! Beads of sweat gather and drip, our skin burns, my left thigh is scratched and bleeding. We find a dead thing, rib cage snapped, It looks more like a fox than a raccoon, I say. We follow the bear claw marks. The sun tilts. The wind arches along the escarpment. Gulls, hawks, and vultures offer blinks of shade. We scale and scramble. Fear rises and falls. I hesitate. He guides me. We are timeless. Past is pulled from the chest, riptide sucks it into the gut of the darkest blue. This is what innocence used to be like.
Shannon Lintott
Shannon Lintott’s poems have been featured in the Literary Review of Canada, NōD Magazine and the Power of Words Exhibit at Arts Etobicoke and are forthcoming in Pinhole Poetry, Phylum Press and the Stanzaic Journal. Shannon was a mentee for both the Diaspora Dialogues Short-form and Arc Poet-in-Residence mentorship programs in 2024. They live in Toronto and are working on their debut chapbook of poetry.
Instagram: shannonlintottpoetry