Bird Sighting in the Alleghenies Golden Shovel with Zazen on Ching-t’ing Mountain by Li Bai trans Sam Hamill
I wandered the steep path of the Mountain making notations of the birds. So many I could not name, nor have I ascertained how they vanished Into the leaves, I found a stretch of birches down From some great wind. I’ve come to the Mountain to greet it the way the sky Might meet the mountain, or now The way the slow rain greets the Mountain as I make it the last Steps up to camp, the dark clouds Roll in and the earth will drain The rain into ferns and flowers, away From minor things. What was it we Let sieve like water from our hands? I sit And ask the woods for a raptor. The crickets together, Stridulation of their violin legs, the Cicadas answer contrapuntal, only the mountain Does not speak as if it is the page and So I fade as if into a stream, all that is me Vanishes and what they find until The summer heat arrives is only The shape of a man who asked the Hawk if he could see the mountain Through its eyes and what remains.
Fata Morgana GS with Eugene Ruggle’s God
I am arguing with God today at the lake after The storm waves rocked the beach last night waking Any sleeping walleye, or sturgeon like the one I Found battered against the rocks—look My daughter shouted, a dead dinosaur down Near the break wall. The lake now still across As if a sheet of blue glass to the sky. We bent our Bodies to examine the sturgeon’s teeth, bodies Of small fish littered the beach. He Was old I said, see how big & long he is Nearly six feet. My five-year old daughter stared at this Fish trying to fix what it means to be dead, a search She asks of everything in this world. I Watch my daughter unafraid, & have I taught her to measure enough of hate, to Ask what of each stone, to ask how to make Amends to her mother. & all the sunken voices each Of them I hear on the lake as we walk this morning After the storm, the beach littered with carp for The seagulls cacophonous chatter. I watch my Daughter’s face as she steps into the lake, hands Digging down into the sand, & picks up a flat rock like The ones my dead grandfather taught me to skip. Any Flotilla today is far from shore, a vague floating form As if above the horizon, as if apparitions, a gathering of Hired perch boats, casting out their lines with blindness—
The Recent Widow Golden Shovel with Otomo No Yakamochi trans by Sam Hamill
She flips the cards now By herself on the farm, nights the Leaves fall, the horses stalled, the season Of remembrance turns— The cards, the leaves, autumn Turns to freeze—breezes Now batter the panes. Crowing hens become The ones whose neck she swings. Winter’s Erasure covers the husked fields, bitter Is the taste in her gums, winds Rattle the roof. What is one to Believe long after the hole is dug? A Winter’s insomnia changes a man Into an absent thing, a woman now alone Flips the cards—the high screech of the Kettle’s boil, the great oaks bend nights The horses bray unsettled. She asks what will Sleep’s riddle unravel? And the old dead grow Young again behind her lids, sleeplessly In bed with him she rolls the whole night long.
Sean Thomas Dougherty
Sean Thomas Dougherty’s most recent books are Death Prefers the Minor Keys from BOAEditions, and The Dead are Everywhere Telling Us Things, winner of the 2021 Jacar Press FullLength Poetry Prize. His book, The Second O of Sorrow won the Housatonic Book Award andwas co-winner of the Paterson Poetry Prize. He lives and works in Erie, PA.